Back to 2004 for Disciples of the 36 Chambers Live. Here comes the Wu-Tang Clan, closing out our for 2017. While hip-hop is def a studio genre ( it loses most of it's power and precision on the live stage) a Wu Tang show is such an overwhelming experience we needed to share one of their concerts. We also wanted to feature one with Ol' Dirty Bastard who is amazing in multiple aspects. ODB is the MVP of the Wu and it is a shame he passed away only a few months after this performance. The whole group get in on the act here and it is damn good capturing of the crew. Pro Shot Pro Sound (but out-of-synch unfortunately) and a joy to listen to. Enjoy.and see you in 2018. A cheekily named second full length album comes from Louisville's White Reaper. The four piece do not lack for confidence as their swaggering pop rock is a fun romp. Watch trailers, read customer and critic reviews, and buy Body Electric (2017) directed by Marcelo Caetano for £6.99. Roberto Cuzzillo; View in iTunes. The Dream Children; Robert Chuter; View in iTunes. The Wound; John Trengove; View in iTunes. The Surface; Michael J. Saul; View in iTunes. Utopians; Scud; View in iTunes. Body Electric. View in iTunes. $12.99; Genre: Foreign; Released: 2017; © 2017 Breaking Glass Pictures LLC. The group, Tony Esposito, Ryan Hater, Nick Wilkerson, and Sam Wilkerson worked with producer Kevin Ratterman ( My Morning Jacket) to craft a listenable excursion to nothing but a good time land that touches on both classic Cheap Trick and recent indie power pop revivals with ease. Opening with a cheering fake live sound track the title track actually drags more than most of the other tracks here, starting things off on a low point, but things improve with the the mid tempo riff filled 'Eagle Beach' boasting a pleasant guitar solo. The best track on the album also arrives early as 'Judy French' showcases what the band does best; catchy riffs, piano flourishes, vocals that can be sung along to and driving lo-end that will make everyone dance live. Lead singer Esposito engages vocally while singing about heads full of roses, hip swinging ladies and being fenced in; the party ready record never makes a lyrical statement because one is not needed. 'The Stack' pulls on T. Rex loving heart strings with piano banging and fuzzy guitars while 'Party Next Door' is a sunshine filled retro effort. The group also brings to mind a less urgent version of Beach Slang as both are honestly searching for the next good time, in a PG-13 manor, hearkening back to Junior High School innocence and directness. Oddly the tracks seem to stick around a touch too long at times (examples: Title Track, 'The Little Silver Cross') even with shorter overall running lengths. The ideas are simple and 15-30 seconds can tack on too long of time for the track to really take off. If you are looking for a direct good time, The World's Best American Band delivers in a rock and roll fashion that rarely happens in the year 2017. Fans of straight up guitars, bass, drums and vocals need to check out White Reaper's newest album, that doesn't quite live up to the hyperbolic title, is still a blast. _______________________________________________________________ Support, buy, stream it or below and peep some video. The Gorillaz first new studio album in seven years finds the band, along with an unending lineup of guest collaborators, hurling huge bushels of digital bananas at the listener. Humanz is a long playing and ultimately underwhelming release as heaps of dance laden numbers keep coming in various tweaked styles. While at the end it has been a semi-fun (if exhausting) ride, nothing jumps out as must hear. Main monkey man and Gorillaz co-founder Damon Albarn wanted the album to be an emotional response to the politically changing world all around him. There are lots of searching feelings and questioning lyrics but little in the form of political protest or statements. There are constant disco club infused beats and guests galore. Vince Staples pop’s up first delivering powerful verses on the skittering “Ascension” and the parade continues until Jehnny Beth arrives to shout out on the positive ending track “We Got The Power” in an almost Queen arena fashion (unlike anything that has come before it on the album). The moments come fast and are tweaked stylistically and in terms of success. On the positive side you find the nouveau techno soul of “Strobelite” (featuring Peven Everett) and the late night clubby cool of “Andromedia” (featuring D.R.A.M). While “Momentz” finds De La Soul back in the lyrical saddle, however pairing them with Casio keyboard sounds and cheap beats isn’t successful while Popcaan brings his dancehall reggae charm to “Saturnz Barz” but the second half from Albarn falls flat. One major takeaway is that there is a lack of big beats on the record as it sonically dives into the “taking low end away” movement lacking a bumping energy, instead moving towards club jams and slow efforts (see “Hallelujah Money” and “She’s My Collar”). “Let Me Out” is a clear song that would benefit from bombastic beats and energy but instead (even with Mavis Staples and Pusha T on-board) it remains aloof. However, this production style does help accentuate the weirdness that floats through the speakers on “Charger” (featuring Grace Jones). There is a creepy coolness boarding on industrial/serial killer sounds with buzzing guitars and eerie sonic settings. With the holidays upon us, we figured we would get in the weird progressive metal spirit this year. What the hell? We are about to board a train to Albany so let's use the Trans-Siberian Orchestra's 2015 show at The Knick (it will never have another name for RtBE). The odd thing about this band? Parents LOVE them. This group sells out arenas everywhere and bless them for it. So head-bang for Jesus and Santa or whatever with this Multi Camera Shot, Excellent Sounding (c'mon it is the Knick, great sound) recording. Enjoy: Multi-camera mix full show captured in 1080p HD on the 2015 The Ghosts of Christmas Eve Tour TSO East. Captured from section 1, row A & the balcony at the Times Union Center, Albany, NY on December 13, 2015 at 7:30pm - edited and authored by Frank Anzalone. In the instance that RtBE has reviewed the album either on the site or somewhere else we will link to that review and just give a quick summation; click on the name and title and you can read our full opinion. RtBE worked with the so you can expect some overlap if you already have seen that list. Again the focus here is on full albums, not singles, but full releases you can slap on and listen all the way through. We know these are a dying breed, but it still is the way we consume music, no shuffle or singles for us. Today we start our top ten, in retrospect it was a year with a lot of good albums but few great ones, or last year. Don't believe me? Google 'Best Music of 2017' and see the dreck that shows up. Click that Read More button to see what albums we liked the best in 2017. Philadelphia based artist Alex G has been pumping out albums that mix odd genres/styles and recently shot to national fame after Frank Ocean asked him to play on some of his tracks. Rocket is the eighth full length release from Alex G and finds him experimenting with DIY sounds in (mostly) sunshiny pop fashion. Lots of randomness but very rarely does the disk move away from simple pop song structures while working with four track (and beyond) limitations. On the duet 'Bobby' all facets seem to interlock as Emily Yacina joins working an american sound up from the ashes. Other highlights are, 'County' a creakily bubbling bass soul effort that displays some mindbogglingly beautiful guitar sounds before 'Judge' pushes the up lever on the creepy cool factor. 'Powerful Man' takes to the dusty mid American prairie with gusto while closer 'Guilty' manages to expertly incorporate a smooth late night saxophone into the mix. All of these are solid efforts using organs, fiddles, and the kitchen sink messing around with vocals in-front/behind the sound, latching on to the off-kilter pop ear. On 'Sportstar' he dips directly into Oceans world with vocal effects, a distorted modern hip hop beat and infectious piano line. The track is a bright example of how comfortable Alex G is when blurring genre lines and would hold up well if any artist decided to cover it. He remains offbeat and experimental as well. 'Horse' is a soundscape of noises that finishes just as it gets annoying while 'Brick' mixes metal, hip hop and noise rock in an almost successful fashion. There is also a lot of mid level filler with indie folksie tracks 'Posion Root', 'Proud' and 'Guilty' but by throwing out all of these short tunes to choose from, the best do stick around after their brief running time. There is a ton on Rocket that reminds of early era Beck; while not as experimental or raucous the idea of anything-goes-exploration is vivid. Songs jump not only genres, but production levels and listen-ability; as if Alex G has so much to say he rarely filters anything out. This is an admirable trait and provides an enjoyable roots filled ride on Rocket. ____________________________________________________________ Support, buy or stream it /below and also peep some video: Rocket by (Sandy) Alex G. In the instance that RtBE has reviewed the album either on the site or somewhere else we will link to that review and just give a quick summation, just click on the name and title and you can read our full opinion. RtBE worked with the so you can expect some overlap if you already have seen that list. Again the focus here is on full albums, not singles, but full releases you can slap on and listen all the way through. We know these are a dying breed, but it still is the way we consume music, no shuffle or singles for us. You can view the first part of this feature, as well. Today we start our top ten, in retrospect it was a year with a lot of good albums but few great ones, or last year. All three of these years contain OK albums as opposed to All-Time Greats. However, there is a wide range in the 2017 top ten; from Jazz to Hardcore Metal to Acoustic to Hip-Hop to Country. Click that Read More button to get started with #10-6 today. If Bob wasn't the Bard 'Everything Is Broken' would just be another tossed off song. However, is anything with Dylan just simply tossed off? Well this song certainly feels tossed off to me.sorry. Oh Mercy is a hell of an album, one of Dylan's classics, and this song is fine, it just can't even stand close to any of his all-time gems, not remotely close. One of the reasons I started this cover series was to show how amazing The Bard's songs are in just about anyone's hands, but if the original of this tune was written by Joe Schmo would people think it was great, or is it just the Dylan name that gives it clout? This is the we are showcasing Earth Wind and Fire, but this is a completely different beast from the Las Vegas'y 1997 version of the band. Dating back to 1973, this is a less showy, more organic version of the band captured on the television show Soul. The band is working with their first major album Head To The Sky and the wah-wah gets thick in front of the excellent low end. The grooves start at the beginning and don't stop. Pro shot and Pro sound, but the sound from '73 isn't the greatest. It doesn't detract too much from the overall enjoyment of the half hour broadcast. We also need to give a shoutout to Pa'Dukes who rates EW&F as one of his all-time favorites. The live show is a slippery thing. There are lots of variables at play, most having little to do with the performance itself. Does the venue have enough bathrooms? Is it going to rain? What day of the week is it on? Did I have a shitty day at work before hand? Did tickets cost waaay too much? All of this effects one's opinion of a live show before the band even tunes up and with reason, but when the stars align, there is no place RtBE would rather be than in the moment of magic occurring spontaneously from the stage. Live Music Has No Equal! Taken By The Fantastic Megan Donohue While we can't see every show that is out there, we try our hardest to see as many as we can here at RtBE. Sure there are, but for now, here is a listing of of the best concerts we were fortunate enough to have seen in 2017. There are links to show reviews in the titles, also because who doesn't love arbitrary rankings, one show at the bottom took the top prize as RtBE's 2017 Favorite Live Show. To continue our Best of 2017 just click that 'Read More' button and get started. The Black Angels have always been an Austin, TX based version of The Velvet Underground come to life in the new millennium, so now they fully dig into that comparison with the title of their fifth studio album Death Song. While recalling VU’s “The Black Angel Death Song” in title, the group expands their sound on the record from its patented droning doom rock to now wrangling pop and deep groove sections, producing one the strongest efforts of their career. The band hasn’t abandoned its dark art rocking way, but mixing with that late night doom and gloom with a eye towards wider reception (helped along by producer Phil Ek). “Hunt Me Down” is a perfect example of this with distortion, swirling organs and pedal effects blending effortlessly with a dance-rock groove that is infectious. “I Dreamt” and “Medicine” both contain drone dance beats as well while “Comanche Moon” opens with massive rolling fuzz bass rhythms before dipping into psychedelic pop for the verses propelling things powerfully ahead. While the band has always used feedback and effects to highlight their tunes it is really the drum work of Stephanie Bailey that elevates the magnificence throughout Death Song. Written in the lead up to the 2016 presidential election the album can feel very topical, especially on anti-capitalist art-rockin' opener “Currency”. The track is the perfect late night bug out soundtrack for the Zuccotti Park occupiers while “Grab As Much (as you can)” balances greed with a booming bottom and eastern tinged passages before a soaring close reminding of The Doors. The Black Angels retro sound and late night freak-out is still intact, most notably on the burning and bumping “I’d Kill For Her” which resembles some of the groups best earlier work while they dip into more ballad levels with lyrical relationships for “Estimate” and the pretty “Half Believing”. Ending with the two sides to the same coin “Death March” and “Life Song” the album closes strong. “Death March” pulses with creepy stalker energy and echoing lyrics filling in the sonic voids while “Life Song” brings to mind David Bowie's “Space Oddity” in lyrics and style. The expansive last track manages to be personal/universal, depressing/optimistic all at once. In the instance that RtBE has reviewed the album either on the site or somewhere else we will link to that review and just give a quick summation, just click on the name and title and you can read it. As always RtBE worked with the, so expect some overlap (though not as much as in years past). Again the focus here is on full albums, not singles, but complete releases you can slap on and listen all the way through. We know these are a dying breed, but it still is the way we consume music, no shuffle or singles for RtBE. : This is a weird one, as I heard this track after I had already fallen in love with 'Norwegian Wood (This Bird Has Flown)' and didn't know what Dylan was getting at with this track. After checking out Wikipedia, I guess I am not alone as with his reactions to it. The music is the same and the lyrics are a mix of lazy and nonsense, reading into anything Dylan says too heavily can cause one to go mad, but why he chose to do this song so close to when the Beatles had their first lyrical success is a mystery. Social commentary, goof, stoned malaise? Either way, the song was never one of my favorites and not up to anywhere near the version he was praising or mocking, take your pick. This is a band we've gotten into lately, and aren't even all the way in yet. Since that is the case we figured we would showcase them this week on our Full Show Friday post. Let us get down together with The Jam. Pro Shot, Pro Sound, Full Setlist below.Enjoy: 01. Strange Town 02. Carnation 03. Town Called Malice 04. Happy Together 05. Boy About Town 06. 5`o Clock Hero 08. That’s Entertainment 09. Tales From The Riverbank 10. Running On The Spot 12. Move On Up 13. In The Crowd 14. Private Hell 15. Pretty Green 16. Trans Global Express 17. Pity Poor Alfie 20. Funeral Pyre 22. Butterfly Collector 23. When You’re Young. The biggest gripe RtBE has with digital music is not the quality (that has been massively improved) nor the disposal nature of it (still a problem, but whatever), it is the lack of amazing album covers and art work. Sure there may be great artists out there but seeing it on a screen, in iTunes or elsewhere is nothing compared to holding an LP cover or even a CD booklet with pages of lyrics, pictures etc. Thankfully the rise of vinyl is helping this dilemma but it is still not enough. The hours we spent staring, actually holding, examining tons of covers while listening to music can not be adequately recorded, it added new dimensions to the sounds. You were connected to album in a more physical way, things were deeper, more evocative.Anyways. The Messthetics are a trio of some fiery players. Anthony Pirog on guitar, Joe Lally on bass and Brendan Canty on drums. The rhythm section may ring a bell as they were the backbone of none other than Fugazi. This group is more the heavy jazz route though with their only online presence being a view clips from their Washington DC show. The music is adventurous with pounding beats and screeching guitar. They play St. Vitus tonight and WFMU Monthy Hall tomorrow night for those who want to stat off December with some experimental music. Peep a preview below. Shovels and Rope were asked to curate the lineup and they nailed it. While we really like that band and now we like them even more as their ears and taste seem to be just as talented as the rest of them. Jason Isbell, Band of Horses, Jeff Tweedy have all been featured on RtBE before and we would love to catch them all at a festival. It is quite frankly some of the best Americana you will hear anywhere.and there will be oyster seminars?!?! With our commitment to we will probably not be able to head to this one, but we are praying all these bands keep the party going and head to NOLA when that announcement is made. Until then let's hear some of the bands playing High Water, starting with the curators themselves. The group put them out on their bandcamp site and you can stream over there or below. The songs do have a demo feel to them and we wouldn't be surprised if the band re-worked them before officially releasing both on a future album, but they are classic tHS style. Big swells (even horns) tons of lyrics with memorable turns of phrase and major riffs. Entitlement Crew b/w A Snake In The Shower by The Hold Steady While we personally dig 'Entitlement Crew' more, both are solid and it is fun to have Franz back in the mix. We will be attending and reviewing the Friday Night show with a bunch of friends, RtBE can not wait to see them. Below are some older live tunes to get us all pumped. Thoughts on Dylan Original: we tackled a cover of this tune in the series: is such a thick album, Dylan's most complex story songs seem to hover in and around it, and not all are winners.' Isis' is though. A great song that manages to engage even without a chorus, it is one of Bob's more 'mystical' tunes and lures most people in the first time they hear it.before the mp3 age it came right after the powerful 'Hurricane' and transforms the album from timely to timeless. Cover: Thoughts on Cover Artist: RtBE have not heard of before. Turns out they are a bluesy rock band from Chicago who have been rocking since 1998. Thoughts on Cover: Great guitar work and some upbeat playing make this journey a fun one to take after this holiday weekend. Get up and shake out that stuffing with the fellas. For her eighteenth studio album the legendary Mavis Staples once again teamed up with producer and songwriter Jeff Tweedy. If All I Was Was Black tackles our current political climate and Tweedy addressed this directly when discussing writing songs for the new album: 'I’ve always thought of art as a political statement in and of itself—that it was enough to be on the side of creation and not destruction. But there is something that feels complicit at this moment in time about not facing what is happening in this country head on.' Just last year the Staples and Tweedy combined for of the 2016 with, but this album digs a bit deeper lyrically while returning to Staples stripped down musical roots. Racial injustice is present from the first smooth funky outing 'Little Bit' and continues into the title track. Both support Staples lead vocals with gorgeous backup singing, grooving riffs and excellently cutting electric guitar lead lines. It is a simple and direct formula that isn't messed with much over the course of the album. 'Who Told You That' gets grittier with both the lyrics and the funk as the song takes a harder edge while 'Peaceful Dream' goes back to church with Staples gospel singing, organ and easy acoustic plucking. There is very little to find fault with as the music effortlessly flows from the sweet soul sounds of 'Build A Bridge' to the feedback driven 'Try Harder'; all songs have a focus on healing humanity and our present day cultural rifts. One minor flaws is there isn't a full fledged anthem to get behind and a track like 'No Time For Crying' runs long and never takes off on the record, but will probably be a focus of Staples live sets. The pair of artists come together for a blissful duet on 'Ain't No Doubt About It' that sums up their professional relationship (if not their personal one) in a very easy going straight ahead manner. Tweedy and Staples clicked immediately, knocking it out of the park in 2010 with the Grammy winning You Are Not Alone and have continued to succeed and strive ever since. Staples late career renaissance is impressive and while her early wok will always soar high, her partnership with Jeff Tweedy has yielded almost as successful results. While If All I Was Was Black is definitely a 2017 record the sounds and (unfortunately the messages sung about) will live on for a long time. _____________________________________________________________ Support, buy and peep some video below. The prolific psychedelic Australian rockers King Gizzard & The Lizard Wizard, put their summer of love meets the new millennium, freak-out style back into action with their newest release (their 4th of supposedly 5 in 2017), with the easy to pronounce (and spell), Polygondwanaland. The group keeps raising the stakes with concept albums and explorations with free jazz nodding to Sketches of Spain and their newest is a sonic assault on the senses.in a good way. The opening track needs special attention as it is over ten minutes of increasing freak-outs around the title 'Crumbling Castle'. Frankenstein-ed together but somehow flowing, there are sonic excursions, percussive breaks and a variety of vocal styles that make the full trip even odder. It is a bad ass opening statement and sticks around long after it finishes. After the dizzying opener the group stays odd, but keeps it direct (well, direct for this outfit). The title track percolates with an excellent bass-line/acoustic guitar work while 'Inner Cell' incorporates an eastern tinged flair with a snaking groove. The theme of castles reappears with 'The Castle In The Air' a dreamy spoken word adventure before dripping into the propulsive 'Deserted Dunes Welcome Weary Feet'. Synthesizers and flutes color 'Loyalty' but it is the ever moving beat that pushes things along and the drum and bass combo wind up the MVP for 'Horology' as well. The vocals take a back seat to the gymnastic playing but this album was designed for multiple listens to parse out meanings, phrases and lyrics from the melodic soup. The seven piece can sound overly busy at times (see album closer 'The Fourth Colour'), but when things lock in the music can be transcendent. The band released this full album for free, even posting the master recordings online for people to use as they please. KG&TLW seem to never stop producing music and when it arrives as fresh as Polygondwanaland here's hoping it never stops. __________________________________________________________________ Support, download for free or stream it below, and peep some video: Polygondwanaland by King Gizzard & The Lizard Wizard. Thoughts on Original: From we tackled a cover of this tune: The first song on the iconic Blonde on Blonde 'Rainy Day Women #12 & 35' is an anthem for a generation.to do what with, is up for debate. Stoned in the head or stoned by the masses up to you to decide. Whatever your thoughts on the lyrics and meaning it can't be argued that Bob is having fun which doesn't always come across on his studio releases. The 'salvation Army' style horns and marching is a hoot.once in a long while but not made for everyday consumption. Truth be told, the song is normally skipped when I am listening to the album, I like opening Blonde on Blonde better with 'Pledging My Time'. Cover: Thoughts on Cover Artist: have always been a fun folkise root rock ride when we have heard them, but also that hasn't been too often. Thoughts on Cover: THIS is the way you cover this song. Rollicking, powerful, full of vigor and rambling shambling around the stage. An excellent version of this song and when we see the man himself tonight we hope he plays one song half as energetic as this version. This week we focused on some of the most talented females making popular music today. So it was time to showcase Joni Mitchell live from 1980 Shadow and Light for our Full Show Friday to end things. Playing with Pat Methany and Jaco, Joni digs into her tunes with touches of jazz as all of the players are world class. Joni came up in conversation last week and while RtBE are not the biggest fans of hers we realized we never featured her on Full Show Friday so that needed to change. This is her Shadows and Light tour which produced the. Pro Shot, Pro Sound, full setlist below. Enjoy: - Introduction - In France They Kiss on Main Street - Edith and the Kingpin - Coyote - Free Man in Paris - Goodbye Pork Pie Hat - Jaco's Solo: The High and the Mighty Third Stone from the Sun - The Dry Cleaner from Des Moines - Amelia - Pat's Solo - Hejira - Black Crow - Furry Sings the Blues - Raised on Robbery - Band Introduction - Why Do Fools Fall in Love - Shadows and Light. You may ask what does a dive bar have to do with a music site? Well RtBE has seen many shows at Continental throughout our time in NYC. From to Joey Ramone's Birthday shows, to secret NYHC shows after they didn't officially have live music anymore. (They news-papered the windows so no one could have possible known there was a band playing right?!?!) You can on the closing, never got to play there, but it would have been exactly our speed. It has been a part of our NYC heart so it is sad to see it go.what was even sadder was when St. Marks Pizza got new owners and then shut down.that used to be our favorite pizza in the whole city! But we digress.here is some live video from Continental to remember the joint. Head down for some cheap drinks before it gets knocked down in August 2018. Last year’s debut was a long time coming and it delivered the country/Americana goods, kick starting Margo Price’s career. It was on multiple 2016 Best of Lists () and proved she had the talent to write, sing and pick with the best of best from any generation. Only one year later comes her follow-up and All American Made is even better. Price has broadened her songwriting to ingest modern day heartbreak, tough mental states and (most expressively) on political touch points; this is a masterful country/Americana record. The opener 'Don't Say It' contains a a splash of “Hard to Handle” and is the most barroom rock and roll shit-kicking Price gets, telling off a bad relationship via killer lyrics. These excellent turns of phrase are everywhere on the disk, you could swear you’ve heard them before but nope, these songs are pure Margo and the second track “Weakness” is an instant classic in the country genre. Speaking of classics, none other than Willie Nelson shows up for a fantastic duet on “Learning to Lose” and while lyrically it may not top others here, just hearing that purely American voice delicately sing with Price is a joy. She has what amounts to a sequel to the last album’s title track with “Heart of America”, the complications of sexism double standard on the road (and in life in general) with “Wild Woman” and expands into traveling spirituality on “Loner” painting broad strokes lyrically in front of swaying music. Speaking of the music, there are a few stretches away from Prices bread and butter of Midwestern country. “A Little Pain” gets excellently soulful with organ work while “Do Right By Me” has a down home groove propelled by the bass, drums and soul singing backup vocals; both prove when Price branches out she and her band can succeed. The two tracks that will be discussed the most are “Pay Gap” and the title effort as Price wades into the political arena on both. “Pay Gap” is a delightful flamenco number that has yips and yee-haws whimsically masking the amazingly STILL prevalent topic of the title and succeeds in all directions. Lyrically Price is fierce and delivers her point with gusto, directness, wisdom and conviction. “All American Made” isn’t as successful as Price dives into presidential politics, sampling speeches, singing about Reagan selling arms to the Iranians and tying it into an aching pain she can’t quite describe. While her heart is in the right place, the overloaded samples and unclear overarching focus (driving rusty pick trucks to California? Closing with an LBJ sample?) can’t live up to her lyrical directness in “Pay Gap”. After crafting a solid-to-great country album on Midwest Farmers Daughter no one would have blinked twice if Price played it safe, especially after struggling so long to break through. Instead the opposite happened and she put out a gem of a record that broadens her horizons while simultaneously cementing her as a singer/songwriter who needs to be heard regardless of genre (not gender) bias. Her guitar playing takes a back seat (or on some tracks it’s thrown out of the car completely) to her production work with co-producer Jack Antonoff. Dance beats, building choruses and electro-funk breaks are everywhere from the rave up for relationships (especially the fleeting ones) on “Sugarboy” to the sexed up role reversal of “Savior” to the silly-before symphonic “Pills”. With “Pills” Clark mixes up the script from direct 2017 mindless radio pop to an arty flair an ending, a trick she uses a few times throughout. “Los Ageless” is the best of the swaggering dance tunes as it pushes the music into an industrial flavored pop direction with huge bass hits Trent Reznor would enjoy before ending the tune with a swirling mellow refrain of “Try to write you a love song but it comes out a lament” (another phrase/sound Reznor probably enjoys). While the album bumps plenty, it is the slower piano based tracks that really hit home the hardest, leading to the feeling that the pomp around the upbeat jams is more of a smoke screen for the notoriously private singer. Thoughts on Original: (From a cover of this song) A song that fits the Gemini Dylan like a glove; direct lyrical yearning chorus with verses that meander about introducing characters like roadblocks in the way of true love. It was the last tune written for the mega Blonde on Blonde and a song he and others (it was Al Kooper's favorite) admired so much he almost. Never a track that jumps to the top of peoples 'favorites' or 'best of' Dylan lists but one that really nails what the artist is all about in some of the simplest terms. Synopsis Official Selection: Rotterdam International Film Festival lias is a young man who moved from northeastern Brazil to Sao Paulo. New to Sao Paulo, Elias divides his days between working in a cloth factory and erotic encounters with other men. Elias is fun, charming and carefree, he has many friends and many lovers. He likes to be free, he loves the ocean and he values freedom. However, as the end of the year approaches, work intensifies, and he finds himself increasingly trapped within the factory. With limited free time, he attempts to find his place in new social circles and explore his sexuality as much as he possibly can. Synopsis Official Selection: Rotterdam International Film Festival lias is a young man who moved from northeastern Brazil to Sao Paulo. New to Sao Paulo, Elias divides his days between working in a cloth factory and erotic encounters with other men. Elias is fun, charming and carefree, he has many friends and many lovers. He likes to be free, he loves the ocean and he values freedom. However, as the end of the year approaches, work intensifies, and he finds himself increasingly trapped within the factory. With limited free time, he attempts to find his place in new social circles and explore his sexuality as much as he possibly can.
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Goodguys 25th East Coast Nationals June 9-11, 2017 Dutchess County Fairgrounds 6550 Spring Brook Ave., Rhinebeck, NY 12572 General Information Event Contact Information: • Goodguys Office Phone: (925) 838-9876 • Dutchess County Fairgrounds| (845) 876-4000 • Event Hours: • Friday, June 9 - 8:00am to 5:00pm • Saturday, June 10 - 8:00am to 5:00pm • Sunday, June 11 - 8:00am to 3:00pm Pricing Vehicle Registration & Pricing: Member Registration Prices Cost Registration Dates Pre-Registration with discount (Save $10) $45.00 Jan. 1 - May 26, 2017 Pre-Registrataion with late fee $55.00 May 27 - Jun. 7, 2017 At-Event Registration $55.00 June 8 - 10, 2017 Pre-Registration All American Sunday $30.00 Jan. 1 - May 26, 2017 At-Event All American Sunday $30.00 June 11, 2017 *Pre-registration discount is available only to Goodguys Members. Laura 'The Lioness' Abell. Extreme poise and consistent excellence lifted Laura Abell to the 2017 Five Guys Games crown. Girl power indeed. Download Film The Guys (2017) Full Movie. Plotnya menceritakan tentang Alfi (Raditya Dika), seorang karyawan yang ingin menjadi bos di kantornya, di kantornya juga ia memiliki keinginan dan rasa terpendam dengan wanita bernama Amira. Tetapi Via yang selalu ditaksir oleh Alfi dari dulu sekarang mulai menunjukkan rasa cinta. Pre-registration has ended for this event. For all vehicles 1972 and older, we offer the opportunity for you to participate in and display your vehicle at the show with a 'Show & Shine Registration' good for all three days of the event. Your registration comes with space to display your vehicle as well as a Goodguys Goodie Bag, (2) Adult Weekend Passes, Children's Passes, win a Goodguys Award and more! As a Goodguys Member, you will save $10 Off the At-Event price and only pay $45 if you Pre-Register to display your vehicle no later than two weeks prior to the start of the event. After the Pre-Registration deadline has passed, you can still register your vehicle online up until the day before the event begins, but will be charged the At-Event price of $55. Not a Goodguys member? You can register your vehicle for our Show & Shine at At-Event Registration the weekend of the event for a cost of $70. Become a Goodguys Member for as little as $20 (Silver Membership) or $35 (Gold Membership). Your Goodguys membership not only gets you 12 monthly digital or hard-copy issues of the Goodguys Gazette Magazine, it also gets you loads of exclusive Goodguys Members-Only benefits and perks including discounts on car registrations, access to the Goodguys 'Good Deals' Member Discount Program, a personalized ID card and more! Or call (925) 838-9876. ** Please Note: Pre-registration with discount available until 5/26/17. Pre-registration with late fee available 5/27/17 - 6/7/17. For the car guys and gals who own a vehicle newer than our traditional 1972 cut-off date, we offer the K&N Filters 'All American Sunday Registration' for all years of American made and/or powered vehicles on Sunday, June 11th only. Your registration comes with space to display your vehicle on Sunday only as well as a Goodguys Goodie Bag, (2) One-Day General Admission Passes good for only Sunday, Children's Passes, win a Goodguys Award and more! If you are a Goodguys Member, you can pre-register to display your vehicle at our K&N Filters All American Sunday, online or by phone at (925) 838-9876 beginning 1/1/17 through 5/26/17 or you can register on the Sunday of the event at the Dutchess County Fairgrounds between the hours of 7am and Noon for just $30. Non-Members can only register their vehicle for our K&N Filters All American Sunday on the Sunday of the event at the Dutchess County Fairgrounds between the hours of 7am and Noon. 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We shall keep you informed about transaction status through email/SMS. • Delivery Information • In case of Office Address if Courier person is not allowed inside than please note that bands might be delivered at Reception or Mail Room. Choose home delivery and receive your entry band at your doorstep • Step 2. On receipt of your entry band, register and activate the band online through the activation link that will be sent to you along with your band. Arrive at the event and walk in without waiting in the queue. • Deliveries will be intimated by 2 weeks prior to the Event Dates. • In case of any unavoidable circumstances, like an issue in receiving inventory from the concerned/taxation authority, you will have to pickup your entry bands from BookMyShow Box Office at the Venue on the event day. • We will keep you informed about transaction status through email / SMS. Tumhari Sulu (2017), comedy drama released in Hindi language in theatre near you in. 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DoMovies.download © 2018 All rights reserved Powered by Disclaimer: DoMovies.download is a legal Website which indexes and Embeds links to other sites such as (Putlocker, Movshare, Nowvideo, Filenuke, Allmyvideos, Sockshare, Netu.tv, Vidhogg, Uploads.ru, Nosvideo, Sharesix, Google Video, Etc), As We do not host any films, media files like FullMovie2k solarmovie (Avi, Mov, Flv, Mpg, Mpeg, Divx, 3GP,dvd rip, Mp3, Mp4, Torrent, iPod, psp) Movie2k on our server or anyother, Perhaps it is not our responsibility for the accuracy, compliance, copyright, legality, decency. If you have any legal issues please contact the appropriate media file owners or host sites. Running time 156 minutes Country Language Budget ₹50 crore Box office est. ₹115.10 crore Duvvada Jagannadham or DJ is a 2017 Indian -language - film written and directed by and produced by under his banner. The film stars and. Devi Sri Prasad composed the film's music while handled the cinematography. Commenced in August 2016 in. Was also a filming location; the production crew chose, as they would benefit from the Emirate's 30% film production rebate. The film grossed approximately ₹ 115 crore in its theatrical run. The film was dubbed into as Dhruvaraja Jagannadh and into as DJ. Contents • • • • • • • Plot [ ] Duvvada Jagannatham Sastry () is a working as a caterer in. Duvvada Jagannadham 2017 Watch Online Telugu Full Movie Free, Duvvada Jagannadham Download Telugu Movie, Duvvada Jagannadham Is a Telugu Romantic Comedy Film. Directed by Harish Shankar. With Allu Arjun, Tanikella Bharani, Chandramohan, Vajja Venkata Giridhar. A vigilante takes on land mafia when his uncle is killed. Jun 22, 2017 Duvvada Jagannadham (2017), action comedy thriller released in Telugu language in theatre near you in Adipur. Know about Film reviews, lead cast & crew. Duvvada Jagannadham - A well-respected man who runs a catering business is also a vigilante who doles out his own brand of justice. Jaggannatham rescues a high-profile cop () from the attack of a crime mafia in. Seeing the quality of a rebellion in the priest, and his sharp shooting skills, the cop trains the priest to become DJ, an encounter specialist who fights crime in disguise of a Brahmin priest. Jagannadham falls in love with Pooja () the daughter of a corrupt (Posani Krishna Murali) involved with yet another crime lord Royyala Naidu () who operates Naidu Industries, and Agro Diamond Financing company in disguise. On the other hand, DJ decides to take on Royyala Naidu in his mission but does not know who he is in actual life. Rest of the story is as how Duvvada Jagannadham uses Royyala Naidu's Arab son Royyala Avinash () who suffers with, and through him DJ destroys Royyala Naidu's corrupt business empire, thereby rescuing Agro Diamond scam victims. Cast [ ] • as Duvvada Jagannadham Shastri alias DJ • as Pooja • Posani Krishna Murali as a minister • as Royyala Naidu • as Royyala Avinash/Chanti, Royyala Naidu's son • as Duvvada Subramaniam Sastry, DJ's father • as DJ's Uncle • as Akella Vigneswara Sarma alias Viggu, DJ's friend • as Purushottam, Police officer • Rama Krishna Shatru as Badda Stephen Prakash • as Suri, Royyala Naidu's aide • Ramakrishna (actor) Shatru Sultan Basha, Royyala Naidu's aide • as Katyayini alias Katyu • as Agro Diamond CEO • as DJ's elder sister Production [ ] Initially and were approached for the lead actress. But was finalised for that role. The film team placed a statute of in in. This is against the custom and tradition of the temple and opposed by the temple priests. The film team got permission from the Department of History and Archaeology for the shoot and resumed it. The film completed the shooting of major action episodes at Aluminum factory Hyderabad on 21 April 2017. Soundtrack [ ] composed the soundtrack album and background score for Duvvada Jagannadham. Sound Track No. Title Lyrics Singer(s) Length 1. 'Saranam Bhaje Bhaje' & Chorus 04:20 2. 'Gadilo Badilo Madilo' Sahithi & 04:25 3. 'Mecchuko' Srimani 04:20 4. 'Seeti Maar' Balaji & 04:10 5. 'Box Baddhalai Poyi' Bhaskara Bhatla Sagar & 03:33 Release [ ] Duvvada Jagannadham release date was originally scheduled for 19 May 2017, but was postponed to 23 June 2017. References [ ]. Contents • • • • • • • • • • • • • Plot [ ] Cheung Choi-san () is a superintendent of the Explosive Ordnance Disposal Bureau (EOD). Seven years ago, he went undercover and became the undercover protege to Hung Kai-pang (), a wanted criminal specializing in bombs. During a cash vault robbery, Cheung revealed his undercover identity and whilst coordinating with the police, successfully disposed a bomb, preventing from being detonated. In the event, Hung's criminal gang, in the car where Cheung was in, was captured including Hung's younger brother. However, during the explosive commotions, Hung managed to escape and threatened to return for revenge. Six months later after the resumption of his position in EOD, Cheung is quickly promoted as a bomb disposal expert in the Hong Kong police force. A year later, a series of bombings occur in Hong Kong, while the police also receive intel that a large number of explosives have been smuggled into Hong Kong, all indications that a major case will occur. As Hong Kong citizens are panicking, the city's busiest underwater tunnel, the, was blocked by ruthless criminals, with hundreds of citizens taken hostage. Hung, who has nicknamed himself 'Blast', finally appears, threatening to blow up the tunnel. Facing this counter-terrorism crisis, Cheung must bring Blast to justice and dismantle the devastating conspiracy behind it. Directed by Jamie Luk. With Anthony Chau-Sang Wong, Ching Wan Lau, Esther Kwan, Alexander Chan. Explosive devices and unplanned pregnancies are at the center of the. Cast [ ] • as Cheung Choi-san (章在山), superintendent and bomb disposal officer of the Explosive Ordnance Disposal Bureau (EOD). • as Hung Kai-pang (洪繼鵬), who nicknamed himself Blast (火爆), a top wanted criminal who is bent on seeking revenge for Cheung's betrayal. • as Carmen Li (李家雯), a divorced teacher who becomes Cheung's girlfriend. • Philip Keung as Kong Yiu-wai (江耀偉), chief inspector of the Regional Crime Unit who works closely with Cheung. • as Ben (阿斌), an EOD officer who is Cheung's second-in-command. • Leo Wang as Hung Kai-piu (洪繼標), Blast's younger brother who was apprehended by the police during Cheung's undercover mission. • as Officer Chow (周Sir), superintendent of the Regional Crime Unit and Cheung's handler when the latter was working undercover in Blast's gang. • as Wan Hiu-fung (尹曉風), the Senior Assistant Commissioner of Police. • as Yim Kwok-wing (閆國榮), a business tycoon and chairman of Man Chung Corporation who operates the and the. • Cheung Chun-kit as Stephen (思君), an officer of the Regional Crime Unit under Kong Yiu-wai. • as Lam Chun (林俊), a tour guide who is one of the hostages held by Blast in the. • Babyjohn Choi as Wong Tin-nok (黃天諾), an off duty officer who is one of the hostages held by Blast in the Cross-Harbour Tunnel. • Joseph Lee as the chief engineer of the Cross-Harbour Tunnel. • as Berry (啤梨), Wong Tin-nok's father who is a retired police officer and is one of the hostages held by Blast in the Cross-Harbour Tunnel. • as Cheung Tai-chiu (張大釗), a retired police officer who is one of the hostages held by Blast in the Cross-Harbour Tunnel. • Tony Ho as Kam Chi-kong (甘志剛), nicknamed King Kong, a retired police officer who is one of the hostages held by Blast in the Cross-Harbour Tunnel. • as Coffee (咖啡), one of Blast's henchmen who was apprehended by the police during Cheung's undercover mission. • as Ghost (阿鬼), one of Blast's henchmen who was apprehended by the police during Cheung's undercover mission. • Kevin Chu as an EOD officer. • as an uniformed policewoman. • as a mercenary working for Blast. Theme song [ ] • Getting Used To (慢慢習慣) • Singer/Lyricist: • Composer:, Kenneth Shih • Arranger: Adam Lee • Producer: Preston Lee, Jacky Chan Production [ ] Development [ ] The project was first announced in September 2014, with and attached as director and producer respectively, and was set to star, and, with Tse portraying the main villain. The film was also set to begin production in November of the same year under a budget of HK$90 million. However, the project was seemingly postponed indefinitely until March 2016, where the film was re-announced at the 2016 Hong Kong Filmart. While Yau remained as the film's director, was announced to produce and star in the new film, with no mention of previous reported cast members. With a new budget of US$23 million, the film is produced by Universe Entertainment, and Lau's new production company,. The film's planned climax will feature a bomb threat taking place in the. Filming [ ] On 17 April 2016, director Yau announced on his account that filming for Shock Wave will begin the following day on 18 April. On (1 May 2016), Yau updated the filming progress on his account with images where Lau and crew members were present. On 6 May 2016, reporters visited the film set for the filming of an indoors explosion scene, where Lau demonstrated safety measures of filming the explosion to the visiting reporters with Yau, while also demonstrating swift bomb disposal techniques. On 5 June 2016, a bomb disposal scene was filmed outside of the in, where Lau wore a 70-pound heavy bomb disposal suit. Actors Philip Keung,, and Babyjohn Choi were also present during that day. Filming officially wrapped up on 4 July 2016, after filming its final scene at a 1:1 scale set of the Cross-Harbour Tunnel built by the production team. Release [ ] Shock Wave was theatrical released in Hong Kong on 20 April 2017. The film also closed the 19th Far East Film Festival on 29 April 2017 and was also shown at the 57th on 20 October 2017. Reception [ ] Critical reception [ ] On, Shock Wave has an approval rating of 83% based on 6 reviews, with an average rating of 7.2/10. Elizabeth Kerr of praised the film's action sequences by action choreographer, the cinematography director for upending action film conventions but criticizes the characters' drawn out personalities. Edmund Lee of the gave the film a score of 3/5 stars and praises the film's engaging action sequences and its absorbing look at bomb disposal while criticizes its logic and director Yau's half-hearted attempt at characterisation. Angelin Yeoh of gave the film a score of 8/10 praising the film's high octane action sequences, the levels of tension and sense of intrique that it offers and calls it an 'excting, adrenaline rush of a movie about everyday heroes.' Gabriel Chong of MovieXclusive gave the film a score of 3/5 and calls it 'loud, action-packed and frequently thrilling' but 'lacks compelling story or characters'. Boon Chan of gave the film a score of 2.5/5 and notes the film's protagonist as 'self-sacrificing and saintly' and not particularly interesting as a result and calls the film a 'workman-like and heavy-handed effort that is unlikely to knock anyone's sock off.' Box office [ ] In Hong Kong, Shock Wave opened No. 1 on 20 April 2017, grossing 1.35 million on its opening day. During its opening weekend, the film grossed HK$7.98 million and was placed at No. On its third weekend, the film remained No. 3 at the box office, grossing HK$6.71 million, with a total gross of HK$22,229,332 accumulated by then. Shock Wave grossed a total of HK$25,360,088 at the Hong Kong box office during its theatrical run in the territory, making it the second-highest grossing domestic film of Hong Kong in 2017. In Taipei, the film opened on 21 April 2017 where it grossed 2.48 million on its opening weekend at No. On its second weekend, the film grossed NT$1.11 million and has grossed a total NT$5.05 million by then. On its third weekednd, the film grossed NT$600,000 and grossed a total NT$6.53 million by then. On its fourth weekend, the film grossed NT$160,000, accumulating a total gross of NT$6.95 million by that time. In China, the film premiered on 28 April 2017 and debuted during its opening weekend where it grossed 168,772,602. On its second weekend, the film grossed ¥49,268,798, with a total gross of ¥356,695,899 by then. On its third weekend, the film grossed ¥5,193,102, with a total gross of ¥385,070,099 by then. By its fourth weekend, the film grossed ¥2,294,103, accumulating a total gross of ¥390,995,597 by then. The film has grossed a total of ¥400,496,000 at the Chinese box office by the end of its theatrical run. As of 25 May 2017, Shock Wave has grossed a total of US$58,838,521 worldwide combining is box office gross from Hong Kong, Taiwan, China, Australia and United Kingdom. See also [ ] • References [ ]. Explosive devices and unplanned pregnancies are at the center of the crime comedy-featured popular comic duo Anthony Wong and Lau Ching-Wan. As the film opens, a crazed bomber is striking terror in the streets of Hong Kong. John (Wong) and Peter (Ching-Wan) are a pair of bumbling bomb disposal experts given the thankless job of defusing the lunatic's evil deeds. One day after a hard day on the job, the two unwind in the company of their friend Mary (Esther Kwan) and a whole lot of beer. As one thing leads to another, John or Peter or maybe both end up sleeping with Mary. No one really remembers. Unfortunately, the encounter leaves Mary pregnant without any clear idea of who's the father. As the two begin to mentally prepare themselves for fatherhood, disaster strikes -- the mad bomber kidnaps Mary. Worse, she is wired with a bomb such that if the mother or the baby's heart goes above a certain rate, the device will explode. Of course, things aren't helped much when Mary starts to give.|. Baby Bomb (1994) was a weird film starring Anthony Wong and Sean Lau, they play best of friends and they both work for the Bomb Disposal Unit for the Hong Kong Police Department. One day after work, the two buddies head for their favorite watering hole. Inside they meet a young lady (a very attractive looking Esther Kwan). After a wild night of partying a drinking through a large plastic sack of Heinekens, the two friends find themselves both sprung for Esther. A few weeks later she learns that she's pregnant. Who's the father? To even complicate things further a serial bomber is terrorizing Hong Kong! 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Durai Singam is called from Tamil Nadu to investigate the murder of the Vizag police commissioner by the AP government. Verdict:Excellent performance by Suriya and others. A must Watch. As with previous versions this movie yamudu 3 in hindi remake is possible with story tweaks. Yamudu 3 (2017) Telugu Download Free Full Movie Online You can click here and get website To download Film Torrent free in all Languages, Torrent jaditv. Yamudu 3 (2017) Telugu cinema film download Description When you talk about the Singham series, you instantly get reminded of Suriya’s rocking cop avatar and action packed fights. Well, Singham 3 has all of this, but there is nothing novel or extraordinary to rave about. The story, concept, and execution are the same as previous parts, but Suriya once again holds Singham 3 with his superb performance. The action entertainer will mostly be liked by the masses and hardcore action movie lovers. So, go in well prepared as there is nothing much that you have not seen before. Storyline Yamudu 3 movie is a dubbed version of Tamil movie Singam 3, and it is an action entertainer directed by Hari and produced by Malkapuram Shiva Kumar while Harris Jayaraj scored music for this movie Suriya, Anushka Shetty, Shruti Haasan are playing the main lead roles along with Thakur Anoop Singh seen in negative role and Soori, Robo Shankar, Krish is seen in supporting roles in this movie. Critical reception A critic from Times of India stated that the delayed release ” did not seem to deter Duraisingam from roaring loud, making swift actions, bashing up the baddies uncompromisingly and winning applause from his colleagues as well as the audience,” while also lauding Suriya and Hari’s contribution to the film. The critic wrote “Suriya, who carries the entire film on his shoulders, is in full form — Duraisingam looks as intense, brave and energetic as he appeared more than six years ago”, and “director Hari’s consistency in handling cop stories convincingly and entertainingly needs to be commended as he has been proving his expertise repeatedly”. The New Indian Express also gave the film a positive review, stating “In Si3, Suriya shows with the third film of the franchise that no one can play Durai Singam better than him”, while analysing that “Hari maintains a sense of urgency in his films from the beginning to end, but, as a commercial film director, his storytelling methods also suffer from following a set of rules, which include frequent yawn-inducing songs”, though added that “he makes up for that formulaic approach with fast-paced narration in the scenes that follows”. Behindwoods.com rated the film 2.75 out of 5 and stated that “Durai Singam strikes again! Suriya and Hari don’t disappoint you in this Singam franchise”. Filmibeat.com rated it 3 out of 5 and stated “Singam 3 is sure to entertain the fans of Singam franchise. With full-form, Singam 3 packs the same punch as it’s prequels”. In contrast, the critic from The Hindu stated that the film was “loud, fast, and without a single memorable moment.” Likewise, Sify.com called the film “a cocktail of the harebrained predictable plot, exhausting action scenes, and slapstick comedy,” while concluding it was “loud and exhausting.” Details Directed by Hari Produced by K. Gnanavel Raja Dhaval Jayantilal Gada Written by Hari Starring Suriya Anushka Shetty Shruti Haasan Music by Harris Jayaraj Cinematography Priyan Edited by V. Synopsis Dheeran Athigaram Ondru aka Theeran Athikaram Ondru is an Tamil action, thriller movie directed by Vinoth of 'Sathuranga Vettai' fame. The movie has Karthi and Rakul Preet Singh in the lead roles.Karthi plays an investigative cop in the movie and his character name is Dheeran also the title suggests and the team is also planning to have sequels in the future.Cinematographer of this movie is Sathyan Sooriyan, stunts by Dhilip Subbarayan, art department is handled by Kathir, music is scored by Ghibran and editing is by Shivanandeeswaran. In his pre-release interviews, director Vinoth spoke extensively about the compromises that filmmakers need to deal with. The romance portion in his latest film, Theeran: Adhigaaram Ondru, is one. The oddly-placed ‘Tinga Tinga’ song is another. They’re both minor speed-breakers in an otherwise riveting cop story that definitely warrants a watch. The film opens with Theeran (Karthi) getting a phone call about a particular case. “It’s a case I so wanted to forget and this call brings back memories,” he says, as the film cuts to flashbacks. There are a couple of them — one is about how he’s become a cop and a romance angle with Priya (Rakul Preet Singh) that is enjoyable, but totally avoidable. But the juice of the story is in what ensues and how Theeran gets embroiled in a case that will turn his life upside down. • Director: Vinoth • Cast: Karthi, Rakul Preet Singh, Abhimanyu Singh • Storyline: A cop wants to open a case that no one else wants to – and nab a gang of highway dacoits. The case details are simple: a gang has been involved in highway dacoity, brutally murdering their victims and looting valuables. They leave behind a lot of bloodshed, but almost no clues. It’s a file that has been seldom looked into by cops, but DSP Theeran is insistent on following it up. He thinks it will be an ordinary case, one that’s among hundreds in the paperwork that clog our police crime libraries, but slowly, it turns out to be something extraordinary. Once the director settles down after the romance portions, he’s in full form. There’s sincerity in the writing and research — he throws light on the history and origins of the Bawariya tribe even as he keeps us glued to the current-day developments in the case. And there’s honesty in the performances. Karthi packs a punch as Theeran and achieves the same earnestness that his brother Suriya brought forth in his earlier cop flicks Kaakha Kaakha and the Singam franchise. There’s also cinematographer Sathyan Sooran’s camerawork in the dusty landscape and Ghibran’s score to look forward to. There are many highlights in Theeran, some of which even makes us evaluate how cops are portrayed in films. There’s a sequence of a police operation planned right in the middle of a busy Rajasthan market that sparkles. There’s another little gem in the sequence in which a gang organiser is being interrogated and the cops request an extension before a judge. We’ve seen many cop films before. More Dheeran Athigaram Ondru videos. Dheeran athigaram ondru climax Video Download 3GP, MP4, HD MP4, And Watch dheeran athigaram ondru climax Video. Theeran Adhigaram Ondru Story Theeran Athigaram Ondru aka Dheeran Athigaram Ondru is an Tamil action, thriller movie directed by Vinoth of 'Sathuranga Vettai' fame. The movie has Karthi and Rakul Preet Singh in the lead roles. The 'Most Anticipated Indian Movies and Shows' widget tracks the real-time popularity of relevant pages on IMDb. Theeran Adhigaaram Ondru (2017). But Theeran hits home hard. |
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